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Each chapter takes up a distinct question from ""How did documentary filmmaking get started? A final chapter addresses the question of how to write about documentary in a clear, convincing manner. Introduction to Documentary provides the foundational key to further explorations in this exceptionally vital area of filmmaking today.

He is an internationally recognized authority on documentary and ethnographic film.

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Contemporary Hollywood Cinema. The Archive Effect. Jaimie Baron. Truth or Dare. Gail Pearce. Authorship and Film. David A. The Persistence of Hollywood. Thomas Elsaesser. The Act of Documenting. Brian Winston. Graphic Novels and Comics in the Classroom. Carrye Kay Syma. A Feminist Reader in Early Cinema. Jennifer M. Global Art Cinema.

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    Christine Sprengler. Un-American Psycho. Chris Dumas. An Invention without a Future. James Naremore. Ian Charles Jarvie. Convergence Media History. Janet Staiger. The Cinema of Steven Soderbergh. Documentaries are, as I have argued elsewhere, a fiction un like any other.

    Because notions about what is distinct to documentary, and what is not, change over time, specific films may well spark debate about the boundaries of fiction and nonfiction. They possessed a documentary appeal. Although all these works have been normally treated as fiction, a case could be made for the power of their documentary dimensions and their ability to stimulate both documentary and fiction filmmakers to rethink their assumptions.

    Reality tv shows like American Idol , the multiple versions of The Real Housewives , Swamp People , and Survivor heighten the degree to which television can exploit a sense of documentary authenticity and. An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while. Introduction to Documentary By Bill Nichols.