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Le mystère chez Marie de France

En Lorraine non plus. Colin, J. Le souvenir. Pierre Loti donne une acception marine qui ne tranche pas vraiment et laisse planer le doute. Il va falloir y aller. Il y a beaucoup de corrections. Faut-il vraiment, tous les ans, ramer les haricots? Vous qui savez tout faire. Ben oui, pourquoi une main de papier fait 25 feuilles? Je peux comprendre cela de la part des lecteurs du Monde. Moi, du moins. Pourquoi 20 mains? Et pourquoi 10 rames pour une balle? Et pour le mariage civil. I — vous mitonner un quiz aux petits oignons — soit dit sans le moindre melon!

Pline , lib. Merci pour les roses. Je viens de voir comme une apparition!.. Je vois TRS, merci. Hello, Jacques Saix. What about Sussex? Garde-la ; tu me la montreras dans trente ans. Dans trente ans tu seras belle encore, dans trente ans je serai encore amoureux. Phasme feuille? La liste en est longue chez les Phyllinae …! Ah, vous chauffez, leveto! Mort de chez Mort. Je veux bien vous croire! Exit, le pluriel! Oups, pour le coup, il y a vraiment un couac.

Mais pour le reste… soupir! Vous pouvez voir que je reste muet et ignorant. Mon royaume pour… la Quillet! Ah mais non mais non! Non habemus papas! Habetis papas! Mais que tiennent ces petits-petits putti? H Hum! Certes, si son premier nom est Piccolomini, le second est Forteguerra. Et oui, nos papes et nos empereurs romains, voyons! PS : Hum! H terrier, un fervant chasseur de coquilles? Moi aussi! On respire! De la Trappe au col de La Tulle pardon, Ph. En tout cas, merci pour ce savoureux vespetro , TRS. Il ne fut pas le seul dans ce genre. Yahpas dans le lecteur Yahoo! Mon boucher recommande le bouton droit, puis ouvrir dans une nouvelle hampe ou un autre onglet.

Lien test pour savoir si le lecteur Yahoo sait afficher une image. Un homme sandwich! Mais si le fox terrier chasse le renard dans son terrier , si le bull terrier chasse le taureau idem , que peut bien chasser le yorkshire? Il faut laisser du temps au temps, en toutes circonstances et avec le tempo convenable. Par BellesEtNues, merciX, et.

Selon une information du Parisien. Catimini phasme. Yorkshire terrier la suite…. Pleurs en gouttes larmes, et du sanglot. Que je naisse autre et passe vide. Attention Gustaf!

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Le Caravage est excellent. Gustav 15h09 Tu ferais mieux de te relire avant de poster, vieil ivrogne du dimanche! Bon allez! Je fais un nouveau commentaire! Une cocotte on y revient! Oui , et alors?.. Trop tentant? Ex: Chess, Black narcissus. Ah wordpress! Pour qualifier votre aplomb, Ph. Des images? Simply mention a movie title in quotes and if the Yahoo! Donc test! Le terrarium.

Miguel Angel Estrella — Beethoven Sonata op. Pas un bravo pour saluer la performance? Snif…Pas de bol d … ——————- biscator, chiocciolino cabot. Ce mois-ci Ram et Sita rentrent chez eux. Le Et si on faisait dans le pire … Le backward masking! Coucou salut. Je laisse donc un commentaire et je vais diner. Le vide, ne serait-ce pas le fond de commerce de Casimir? Fi des cocottes! Comment ne pas penser au slogan de ladite biscotte?

Une perfection je vous dis. Je moinsoie! Vous comprenez mieux pourquoi parfois on lui reproche des phrases peu audibles. On ne retire pas ses pieds? Et alors? Catiminiphasme a disparu vive AudioMiniphasme. Lamid, soyez prudent! Dose maximale: milligrammes par jour ;. Mince alors, quel choc!

Ah, ce vieil Edwards aux mains de vermeil? Une histoire de pavage.

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Un joyaux! Rien de plus simple. Ah bon? Retissant ou entouziasme, je vou le direz plu tar. Of course. Now, Ph. H, pas geek! Pas lamer du tout Ph. Pourrait-on avoir un rappel du corps des devinettes encore en cours? Vous voulez aussi le carnet de vaccination? Merci Jacques C. Poor Cary! Mille millions de sabords! Petite consolation? Que voyez-vous? Je ne connaissais pas votre Perret. Merdre alors! Voyons…Sur cette rame! Top Chrono, dirait MiniPhasme.

Il a eu des filles? Allez, soyons magnanimes et laissons-lui le temps de raccrocher les wagons…. Ouh la la! Bravo Lamid! H HOOQ! Bon sang Martin , vous aviez raison de nous signaler cette Sainte. Welcome to Bienvenue qui a la sagesse de se passer de diacritique, elle. H et Martin…. Merci pour le tuyau. Mais de rien, cher vieux et devineur Martin : De neurones inaptes, je ne vois ni crois rien. Ne me remerciez pas pour ces conseils touristiques… Ils sont pour rien! Donc en hommage aux beuglements affectueux je veux pouvoir critiquer injustement les correcteurs : 1.

Que nenni! Les passantes avaient mis leur capuchon. Je voulais me lever et partir. Et je vais vous en donner la raison. Je vous connais si bien que je peux vous faire quelques confidences. Le Pet. III, 3. Au resto, ne pas confondre avec escalope. Honni e soit qui mal y pense.

Allez, rame ma poule! Allez, tiens! Et que penser de cette confidence? Fiat Lux! Auber Villiers? Vous plaisantez? Le Phasme, par exemple. Ils avaient sans doute tous raison…. Cool Raoul …. Foin des conchyphages! Supprimer ou fausser arbitrairement toutes les indications concernant les destinations, les correspondances, les horaires, etc. Coupable de non-distribution, Descartes?

Mais bon. Ticking away the moments that make up a dull day You fritter and waste the hours in an offhand way. Kicking around on a piece of ground in your home town Waiting for soemone or something to show you the way. Tired of lying in the sunshine staying home to watch the rain. You are young and life is long and there is time to kill today.

And then one day you find ten years have got behind you. No one told you when to run, you missed the starting gun. Every year is getting shorter, never seem to find the time. Tu parles Charles! I will stop, see I will stop for nothing Say the right things when electioneering I trust I can rely on your vote. When I go forward you go backward Somewhere we will meet When I go forward you go backward Somewhere we will meet. I trust I can rely on your vote rockas. Merci pour cette exhumation.


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Corot si. Son stylo et son briquet aussi. Et hop. Merci Martin , pour ce coup de fil inattendu! Ce Saint-Rame! Exit Miromesnil! Puisse Der Bahndurchstich couronner votre Sainte- Victoire! Tu me fends la poire! Un laguiole dans le cou? Est-ce une histoire de fous? The Full Monty. Il est sorti, le chef de gare! Ciao, Silvio! Bonnes nuits. A ce jour. So you can call your secret love And break the news to him.

Oh I thought your little romance Was on the strict Q. So if you want your freedom P. Divorce me C. Well you can reach me down in Dallas General delivery So if you want your freedom P. Q Divorce me C.

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H, carabinier. Celui qui ne vous a fait aucun effet…. Puis au lit! Pour vous dire I. I owe you …. Archibald N. Bredouille, que signifie votre postscriptum? A wild goose chase too? Diiingue, non? Quel artiste a votre admiration? Pourquoi cet imparfait lamidinsky? Par bonheur, Alechinsky est toujours en vie, enfin Pierre Alechinski, le peintre, pour les autres Alechinski je ne sais pas…. Martin, vous ne devez pas avoir les bonnes lunettes ….

Apocalypse garantie et fin du Monde …. Tant pis pour lui,… mais il a les moyens. Aussi Bonnard et Rouault. Et quelques autres. Je vous rejoins. Pour quelque? Quant au brave papi rhinomorphe de Ghirlandaio, il va sans dire que son abandon est accidentel…. Un petit bijou. Enfin, comment ne pas succomber devant ce retour aux routses?.. Heu… Vos illusions sur quoi?

Cet artiste,…etc. Le papier monnaie aussi. Et toc! Du fait de la pollution, elles deviennent un peu plus rares mais restent assez communes dans nos ruisseaux. Chapeau, la Phasme-Artiste!


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  • Mon premier? Partie du corps. Mon deux? Mon trois? Particule des corps. Mon tout? P… de balises! Pour TRS qui aime les affreuse bestioles.. Et pour tous, bien entendu, cette petite devinette. Apprenez pour votre gouverne, Ph. Chose promise …. Un grand gosse! TRS Excusez mon retard. Allez les vers! Je suis en retard … Il faut faire vite … Bon! Je refais un essai. Crop tonneau. Non mais des fois. Tiens, Lebanni avait raison : des bad thrips, il y en a partout. Mais les miens, ils aiment les fleurs bleues. Comme quoi, hein, praecox ejaculatio humanum est….

    Pas moi!!! Et je vous remercie encore. Ave Martin! Faites-nous plaisir, descendez de ce train, vous en prendrez un plus tard, et allons boire un verre au buffet de la gare. Si vous en avez assez du gris-de-Toul, on trouvera bien autre chose. Un si discret merci… pourquoi? Vamos Caballero, un abrazo, y vaya con Dios. Top chrono! Prenez soin de vous. Les acteurs ne sont pas de vrais acteurs. Et puis nous venons.

    Enfin, celui qui pense. Celui qui pense … Mais qui pense, Camille, lorsque les personnages arrivent? Il devient outil. Ils sont exceptionnels. Il y a des souvenirs qui collent. La Floride. Pour rien. The artist reading a hot and clunky story novel in her against day classically furnished living room is a humorous way -and post-post normcore- of advocating for normality, calling for serenity.

    She plays down the distress of ordinariness. The reading aloud by the artist operates a deviation from the original story, it raises a barrier to the original text. Erotic writing is usually to create deeper corporal images: words can be stronger, more able to infuse the senses than most of the seen and reviewed images created by the patriarcal pornography. The projection and identification capacity we usually have as readers is traded off against a pupil passive position.

    This dispositive creates impatience -we are not used anymore to be read a book- but as soon as we let go, it actually rocks us. She takes her time. She gives us to reconsider the usual duration an audience can allocate to a piece, to extend the time we have for lightheartedness.

    Bringing the deckchair in her living room until Christmas, she resurrects in her urbain house and in our screens the idleness of a lazy afternoon during summer breaks. She articulates the English words, does not try to hide her French -actually Swiss- accent, stumbles sometimes over a nominal group, she is home. She reads at her own pace, moves sits from one shot to another showing then her domestic habits… One time, her hair is wet, as she just got out of her shower. In short, we are in her simple, calm, languorously daily intimacy.

    Through this contrast, a soft violence emanates from her series. In the whole collection of this book series, New Lovers - even though they are all written by women- there is this editorial slant of depicting strong women as being able to act sexually, with nonchalance; there are these elements we all would love to live back again -or for the first time- the fantasized but nonetheless culturally very well described new generation of women, behaving wildly wacky, the promotion of an unrestraint, reckless, fulfilling passions behavior….

    In Fribourg, the anniversary of the death of St. He realizes his journey on a donkey, accompanied by the bogeymen and the fifers. Each year, the procession is performed identically, although the main participants have changed. By diverting them in a certain staging and working by collages, the va- rious works avoid postulating the relationship of fidelity to the traditional event as the axis around which the works are organized.

    The collage aspect refers to the possibility for a whole to make sense thanks to its parts: here, the interest thus moves on the links between the various protagonists represented through the exhibition and the meaning given by their gathering. These games of re-arrange- ments cause movements of meaning and blur the different categories: are these protagonists those of the traditional event of the St. Nicholas or of the exhibition in WallRiss? Is it a diversion of preparatory moments to the traditional event, or a collage of elements that already incorporate the intention to realize an exhibition?

    This opacity, which prevents us from determining the original event and the real intention, allows We Win or We Die II to thus permeate this abstract space which becomes here the basis for the possibility of the emergence of the event. But We Win or We Die II, by blurring the possibility of determining a clear inten- tion, fixes the works that compose it as the sole purpose.

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    Thus, the exhibition does not propose an experience of a popular gathering in a new mediation offered by a space of contemporary art nor does it dramatize an event by reconstitution, but rather exceeds these first frames to im- pregnate a cognitive space underlying each collective rea- lization, and reminds us that the basis of any emergence is participation. By integrating elements of reality into a new fiction, the works presented at the WallRiss participate together in a new narrative.

    By insisting on this storytelling, We Win or We Die II integrates a tradition of a speculative, personified retelling of history. Accept Baby is a winter show. It stages the nostalgic fiction of interiority. Its imagination tends towards an irrational inversion. It draws a double as well as an impossible sorrow; like the passing of a desire, between creation and reception. It is a certain sadness: the belief of one having lost melancholy, when in fact it was only transferred on to the level of form. The contemporary tries to find its reflection in a historical model that became so estranged, the values that result from it now appear infinitely reversible.

    The psychological concept of sublimation, in a distancing, became a model that allows everyone to articulate a relation to the artwork. The space will be tender, contemplative, elegant. Maison Samper, Montvalent Montvalent Festival. Montvalent est un petit village du Lot, la maison Samper est une maison vide de Montvalent. Les partager les renforce.

    Le premier qui vint vers nous pour nous livrer un secret fut Marc Buchy. A propos du soleil. Il descendit il y a quelques temps dans un gouffre et y trouva un groupe de moines bouddhistes. Grotte artificielle. Elle joue pour nous raconter les personnes qu'elle rencontre. Pour le mieux, certainement. Action qui creuse les distances. Se mettre en mouvement ou rester. Rester pour? Il se pourrait qu'on y trouve des choses extraordinaires. And this combination, because I have asked Michael once, about how everything was going with Hans Joachim, and he told me: he always had this spherical sense.

    They were working together for two or three years, this was when they were Cluster, they once played at documenta in Kassel, we went to see them. We also held parties, Whitsunday parties, and once they played there on the stage back there on the lawn. Mani is also a strange guy, they played often together and we held many Whitsunday parties here in Forst and a lot of music was played. And in the night, we really thought ourselves in Africa, with the music, it was really really beautiful.

    But he also went into the city once, because they didn't really have a livelihood, like Cluster for example. He never stopped making music, but his break-through came later In Achim's case it was exactly the same. I think it was meant to be this way, I think he also had to start fresh somewhere else, to express himself and his music in the way that he wished. With his instruments in his living space, and from there he Michael is somebody who works very precisely. And very accurately, and concept-based and he overburdens himself often with his way of working, but that's just who he is.

    That doesn't mean that Moebius was missing something, he also was a thoroughbred musician, but he had found a way that worked for him, that was in his nature. Moebius had a different approach, but when they were on stage together, they were somehow both equal. When it fits very well, then of course wives become also a factor, families are built and everything has its influence. Life itself changes too and we experience new things, also in terms of how music can come together.

    Things happen like this, one prepares himself more than the other He needs very few things, but in the end and also during his Mallorca stays, he produced a lot of new material. Actually everything is possible, if everybody takes part. With Achim we were also ranting when we were amongst ourselves, he was of course also good at it! They knew each other from Norddo And then they came here together and we also got to know each other, but then some things went awry, the initial conditions. In the beginning everybody was easy, but then it had to be distributed differently. But then it came out that only one was to sign the contract and whoever signed it also tried to use this to his advantage in times of conflict.

    Back then only one could sign the leasehold with the Braunschweig foundation, and everything else had to be dealt with amongst ourselves. Swiss Art Awards Ceremony. This entity distances itself from the duality of the subject, which is doted with sensitivity whereas the ob- ject has no trace of it. This thing feels, but in an impersonal manner, without affect. Its experience is nonetheless sexual in nature.

    The feeling thing caresses, licks, suc- ks, fucks ; but rather than attaining orgasm it remains in a state of permanent tension, like a loop of techno trance that plays on inde nitely. Speculative as they may be, these things that feel recall technoscience projects which contribute to blurring the borders between biological and synthetic, natural and contrived.


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